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Aenokoto Ritual of Oku-Noto
An invisible god is invited into the home and treated as an honored guest. In the farmhous…
An invisible god is invited into the home and treated as an honored guest. In the farmhouses of Oku-Noto, the Aenokoto ritual unfolds each December. When the year's harvest is done, the head of each household dresses formally and welcomes the deity of the rice field indoors. The god cannot be seen. Yet the host speaks to it as though a guest were truly present, offering a hot bath, a feast, and rest, before sending it back to the fields in February. Its origins are unknown, and its very simplicity is thought to preserve an ancient form. There are no floats, no crowds, only a single family quietly attending to a presence it cannot see. The 2024 Noto Peninsula earthquake wounded this region deeply, yet its people have not let go of the deity they welcome each winter. A UNESCO Intangible Cultural Heritage.
Wajima Chinkin: Engraving Gold into Lacquer After the Earthquake
The January 2024 Noto Peninsula earthquake damaged Wajima severely — buildings collapsed,…
The January 2024 Noto Peninsula earthquake damaged Wajima severely — buildings collapsed, fires spread through the historic merchant district, workshops were destroyed. Wajima nuri, the lacquerware tradition that has made this city famous for centuries, was disrupted at its source. Many craftspeople lost their studios. Some left the city.
Some did not. The workshops that have reopened are continuing to produce Wajima nuri and to offer the chinkin experience — engraving patterns into lacquered surfaces and rubbing gold into the lines — in temporary or repaired facilities. Visiting now is a different kind of experience than visiting before the earthquake. The city is visibly in recovery. The craft is continuing anyway.
Wajima nuri involves more than 124 distinct processes, each layer of lacquer applied and dried before the next. The chinkin technique adds decoration to a finished lacquered surface by cutting lines with a chisel and pressing gold leaf or powder into them. What emerges is a black surface animated by gold — understated, precise, requiring the steadiness that comes only from practice. The experience of making even a small version of this pattern, in Wajima, after the earthquake, is an act of participation in something that has chosen to continue.
Stalls open before the mist lifts off the water. Along the lane known as Wajima Asaichi, vendors arrange dried squid, sheets of pressed iwanori, and lacquerware boxes on folding tables while the harbor behind them is still settling into morning. The market traces its origins to the Heian period, and the rhythm of it — the calls, the weighing, the wrapping in newspaper — belongs to the town in a way that resists being merely observed.
Wajima lacquerware, known as Wajima-nuri, is made through a layering process so involved that the finished object feels almost geological. The Ishikawa Prefectural Wajima Lacquerware Art Museum holds the only collection in the world dedicated entirely to the craft, with hands-on sessions that let you feel the weight of a technique that has defined local labor for centuries. Nearby, the port of Wajima handles hauls of zuwaigani and natural fugu at a scale rare along this coast, and the morning catch moves quickly from dock to kitchen to table in the form of Noto-don, a rice bowl assembled from what the sea offered that day.
The peninsula's interior has its own register. Sōjiji Soin, founded in 1321 and once a major Soto Zen headquarters, stands with a thatched roof that seems to absorb rather than shed the grey sky. The Kuroshima district preserves a streetscape of merchant townhouses from the era when Wajima's shipping trade connected it to ports across the Sea of Japan. Hachifuse-yama rises behind the town, and along the coast, the natural dune of Okawa-hama stretches with its windbreak pines and hamamatsu scrub — not arranged for visitors, simply there, doing what dunes do.
Stay in Wajima, Ishikawa
What converges here
- Wajima City Kurojima District
- Kamitokikuni-shi Garden
- Tokikuni-shi Garden
- Shiroyone Senmaida
- Sojiji Soin
- Tokikuni Family Residence (Machino-cho, Wajima City, Ishikawa Prefecture)
- Sojiji Soin
- Kamitokikuni Residence (Machino-machi, Wajima, Ishikawa)
- Sojiji Soin
- Sojiji Soin
- Sojiji Soin
- Sojiji Soin
- Sojiji Soin
- Sojiji Soin Temple
- Kamitokikuni Family Residence (Machino-machi, Wajima, Ishikawa)
- Kami-Tokikuni Family Residence (Machino-machi, Wajima, Ishikawa)
- Former Kakukai Family Residence
- Former Kakukai Residence
- Former Kakukai Family Residence
- Former Kadokai Family Residence
- Former Kadokai Residence
- Soji-ji Soin
- Sojiji Soin
- Soji-ji Soin
- Sojiji Soin
- Sojiji Soin
- Sojiji Soin
- Sojiji Soin
- Soji-ji Soin
- Noto Hanto
- Nebuta Onsen
- Wajima Onsen
- Mount Hachibuse
- Hegura-jima Fishing Port
- Nafune Fishing Port
- Mitsuura Fishing Port
- Kenchi Fishing Port
- Ōsawa Fishing Port
- Aigi Fishing Port
- Fukami Fishing Port
- Mitsuki Fishing Port
- Akagami Fishing Port
- Uiri Fishing Port
- Kaiso Fishing Port
- Kuroshima Fishing Port